Dom7, maj7, min7 chords
Three Core Seventh-Chord Colors
Three common seventh-chord colors tell you how stable or tense a chord feels. The suffix tells you which third and seventh are inside the chord.
| Color | Example | Plain-language meaning | Listen for |
|---|---|---|---|
| Major seventh | Cmaj7 | Major triad with a natural seventh | Settled, glossy color |
| Dominant seventh | C7 | Major triad with a lowered seventh | Pull toward another chord |
| Minor seventh | Cm7 | Minor triad with a lowered seventh | Darker, relaxed color |
The plain 7 suffix is called a dominant seventh because it often creates the strongest pull toward the next chord.
The smallest changes are usually the 3rd and 7th, often called guide tones. Track those two notes instead of treating every four-note chord as a new shape.
Remember:
maj7feels like home, plain7creates motion, andm7softens the chord.
Three Seventh-Chord Colors on C
Compare Cmaj7, C7, and Cm7 on the same root.
Keep your attention on the 3rd and 7th. Those two notes explain why one chord feels settled, one pulls forward, and one darkens.
Cycle Through Seventh-Chord Qualities
- Name each chord quality before you play it
- Compare the color difference between
maj7and7on the same root - Compare the color difference between
7andm7on the same root - Treat
m7b5as the most unstable sound in the set